67
26 Jan 12 at 3 pm

pretaportre:

“Seedlings do not be ashamed to face big names. One who joined last year, the exclusive club of high fashion made ​​us a beautiful collection of classic elegance revisited, such as asymmetrical silk blouses, creamy white or pale salmon, revealing a shoulder, wearing a big knot on the other, and sublimely matched with a long skirt garnet red wave a short skirt or false right croco bronze … 

Old Feraud and Torrente, Christophe Josse, who created his house in 2004, likes scrolls and volumes. The muslin is king, and if Air feminine favorite for the bright pink robe with deep V neckline. Simply divine! Yes, pink is popular, the paler the more sustained, it is taken “in touch” on a model green garden, it smells like spring…”

(via letelegrammetfs)

 7
26 Jan 12 at 3 pm

recursivemuffin:

Franklin Booth (1874-1948) was probably the most influential American pen-and-ink illustrator.  His technique had a bizarre origin.  He grew up on a farm in Indiana, and he copied pictures from magazines.  Unbeknownst to him, those pictures were engravings and scratchboard prints.  Booth developed a pen-and-ink style that looked like engravings: in the image above, for instance, he’s using a fine black pen on white paper, not a scratchboard.

This reminds me of the recurring stories about the kid who hears a guitar riff on a record and learns to play it, only to find out that the original was two guitars…

(via illustrium)

recursivemuffin:

Franklin Booth (1874-1948) was probably the most influential American pen-and-ink illustrator.  His technique had a bizarre origin.  He grew up on a farm in Indiana, and he copied pictures from magazines.  Unbeknownst to him, those pictures were engravings and scratchboard prints.  Booth developed a pen-and-ink style that looked like engravings: in the image above, for instance, he’s using a fine black pen on white paper, not a scratchboard.
This reminds me of the recurring stories about the kid who hears a guitar riff on a record and learns to play it, only to find out that the original was two guitars…
 11901
26 Jan 12 at 3 pm

(via kjluen)

 12
26 Jan 12 at 3 pm I always liked Alexandria. Like the ancient city.

arthistoryx:

at least 3 of my children will be named marina.
 2196
26 Jan 12 at 3 pm I love the way theorist flutters in the breeze.

photojojo:

New Cinemagraphs from Jamie Beck and Kevin Burg! These’ll have you staring.

Cinemagraphs in Malibu

via laughingsquid

(Source: fromme-toyou)

I love the way theorist flutters in the breeze.

photojojo:

New Cinemagraphs from Jamie Beck and Kevin Burg! These’ll have you staring.
Cinemagraphs in Malibu
via laughingsquid
 204
26 Jan 12 at 3 pm Classic. I’d love to wear suits like this everyday.

nicollecamille:

Yes.

(Source: love-yours-truly, via perfectarmour)

Classic. I’d love to wear suits like this everyday.

nicollecamille:

Yes.
 603
26 Jan 12 at 3 pm

ianbrooks:

The Food Liberation Army by Jani Leinonen

As part of the underground Food Activist Movement, several masked men entered a McDonalds in Helsinki and kidnapped the beloved fast food chain mascot, subsequently releasing a video demanding McDonalds Corp. answer eight questions pertaining to the ethics of their food production or else Ronald would be decapitated. Their demands never met, their promise was fulfilled and the results released to the media. You can see the horrifying and all-too-real execution at freeronald. I’m loving it?

 15
26 Jan 12 at 8 am

As we drive the Google car—or are driven by it—I watch the action unfold on the computer monitor mounted on the passenger side of the dashboard. It shows how the car is interpreting the world: lanes, signs, cars, speeds, distances, vectors. The rendering is nothing special—a lot of blocky wireframe that puts me in mind of Atari’s classic Battlezone. (The display is just one of a host of geeky details—to change lanes, for instance, the driver presses buttons marked Shift and Left on a keyboard near the monitor.) Yet it is absolutely fascinating, almost illicitly thrilling, to watch as the car not only plots and calculates the myriad movements of neighboring vehicles in the moment but also predicts where they will be in the future, like high-speed, mobile chess. Onscreen, the car is constantly “acquiring” targets, surrounding them in red boxes, tracing raster lines to and fro, a freeway version of John Madden’s Telestrator. “We’re analyzing and predicting the world 20 times a second,” Levandowski says.

(via givemesomethingtoread)

tags: Car  of  future 
Let the Robot Drive: The Autonomous Car of the Future Is Here
 5061
25 Jan 12 at 11 am

shutupkiddo:

see i find Nemo & his family members 

shutupkiddo:

see i find Nemo & his family members